Capital Xtra!, Ottawa's LGBT biweekly paper, ran a profile on author and artist Sherwin Tjia on April 15, 2009. The profile, written by Lorraine Garrison, paid special attention to Tjia's poetry collection The World Is A Heartbreaker.
Nicole Brossard, the critically lauded author of Fences in Breathing, was interviewed by Xtra! on the eve of the publication of her new novel and its launch in Toronto. Journalist Alice Lawlor asked her questions about Fences in Breathing and the politics of loving another woman:
Sina Queyras on alienation, poetry, queer sexuality and car culture (the latter is the subject of her new collection, Expressway) in this week's Xtra!:
'It's easy to spot Sina Queyras in a crowd. She's the one standing on the fringes of the group, fiddling with her camera or writing in a notebook. "I am usually marked as 'outsider,' she says — an observation that feeds into her poetry.
Nathalie Stephens has published two books this year: the English auto-translation of Je Natahanael (BookThug; $15) and Touch To Affliction (Coach House; $17). These aren't collections of poems so much as poetic books. In some ways, each book continues where the last one ended, creating a cumulative narrative.
We’re delighted to announce that Howard Akler and the editors of The Ward (John Lorinc, Michael McClelland, Ellen Scheinberg and Tatum Taylor) are responsible for two of the five books shortlisted for the 42nd annual Toronto Book Awards!
In the midst of Canadian rock icons The Tragically Hip’s final Canadian tour, poet and co-curator of the Basement RevueDamian Rogers spoke to Maclean's about frontman Gord Downie’s relationship to poetry – more specifically, why poets love him.
We're excited to announce that Emily M. Keeler will assume the role of series editor for the Exploded Views nonfiction series. Keeler, who takes over the series editor role originated by Jason McBride, is the founding editor of Little Brother, an award-winning literary magazine, and is formerly the books editor of Canada's National Post.
Reviewing Christian Bök's The Xenotext: Book 1 for American Scientist, Michael Leong calls the book 'at once rigorously scientific and rigorously literary.' He goes on to write that 'Bök's work is an important bridge not only between conservative formalists and cutting-edge conceptualists but between poetic and scientific communities.
We gratefully acknowledge the financial support of the Canada Council of the Arts, the Government of Canada through the Canada Book Fund, the Ontario Arts Council and the Ontario Media Development Corporation for our publishing activities.