The American poet Carl Sandburg said that 'poetry is the synthesis of hyacinths and biscuits.' He meant that poetry has the freedom to bring together disparate elements in the world and align them into something surprisingly new.
A new crop of poetry books from Montreal and beyond illustrate the persistent power of poetry to engage in the search for coherence and clarity amid incongruities.
Among the boldest and most original volumes within the group is Expressway, by Montreal poet Sina Queyras.
Sina Queyras' new poetry collection battles the numbing speed of modern life, a hallmark of which the web-savvy poet excels at in her blog about life and the arts, Lemon Hound (also the title of her 2007 Pat Lowther and Lambda Literary award-winning poetry book). Chipping away at the expressway's faux-finish tarmac in favour of a more natural past, these poems offer contemplation as an antidote to a too-fast-and-furious fate.
In her first book of poems since her collection Lemon Hound, Montreal-based Sina Queyras employs the Romantic tradition of pastoral poetry to create passionate indictments of our consumerist, car-obsessed culture and our fast-lane mentality. In 'Solitary,' a woman stands near the I-95, where 'a patch / of emerald turf' is besieged by doggy bags,' the nearby expressway '[s]moothing each nuisance of wild, each terrifying / Quirk of land.'
Read the National Post's 'NaPoMo' (National Poetry Month) questionnaire with Sina Queyras to discover a few of the Expressway author's favourite things poetic.
Q: If you could get everyone in the world to read one poem, what would it be?
A: One poem? Just one? It's impossible to prescribe one poem to all people of all ages and stages of their lives...but at the moment, and perhaps for the next few, it would be 'lullbabye,' from Dennis Lee's UN.
Brian Joseph Davis asks Sina Queyras (Expressway) 'several questions only a well-traveled poet could know the answers to' on the Globe and Mail's book blog, In Other Words. Find out what to do when you're lost in rural New Jersey, the best 1 a.m.
We’re delighted to announce that Howard Akler and the editors of The Ward (John Lorinc, Michael McClelland, Ellen Scheinberg and Tatum Taylor) are responsible for two of the five books shortlisted for the 42nd annual Toronto Book Awards!
In the midst of Canadian rock icons The Tragically Hip’s final Canadian tour, poet and co-curator of the Basement RevueDamian Rogers spoke to Maclean's about frontman Gord Downie’s relationship to poetry – more specifically, why poets love him.
We're excited to announce that Emily M. Keeler will assume the role of series editor for the Exploded Views nonfiction series. Keeler, who takes over the series editor role originated by Jason McBride, is the founding editor of Little Brother, an award-winning literary magazine, and is formerly the books editor of Canada's National Post.
Reviewing Christian Bök's The Xenotext: Book 1 for American Scientist, Michael Leong calls the book 'at once rigorously scientific and rigorously literary.' He goes on to write that 'Bök's work is an important bridge not only between conservative formalists and cutting-edge conceptualists but between poetic and scientific communities.
We gratefully acknowledge the financial support of the Canada Council of the Arts, the Government of Canada through the Canada Book Fund, the Ontario Arts Council and the Ontario Media Development Corporation for our publishing activities.