By New Museum’s Department of Education and Public Engagement
New Museum R&D Seasons: Voice
July 14 2014
In this edition of VOICE Registers, New Museum R&D (Research & Development) Season Fellow Kaegan Sparks speaks with poet & critic Jordan Scott about speech disfluencies, state interrogation procedures, glottal stops, Blert and stuttering in 90s R&B.
Author Jonathan Ball (Clockfire) recently talked with popular genre-fiction website The Genre Traveler to discuss the intersection of his poetry / impossible plays and the genres of horror and fantasy.
Coach House Books has joined forces with iambik Audio, a new kind of audiobook company, that launched this October with eleven literary fiction audiobooks from independent presses in the U.S. and Canada. This October, iambik launched audiobooks by one giant of American letters, Gordon Lish (including a selection of stories read by Mr. Lish himself); one Pulitzer Prize finalist, Lydia Millet; and a number of new and upcoming writers including Felicia Luna Lemus and J. Robert Lennon.
Everyone has heard the news and it’s inspired the same bookish panic in all of us. A strike is brewing in the hearts, minds and on contract negotiation tables of Canadian postal workers. Although it hasn’t been confirmed, the town criers have been using words like ‘looming,’ which has us a little worried. But we’re forging on the only way we know how – a massive ebook sale! For the month of July, all of our ebooks will be 25% off.
We're excited to announce that Emily M. Keeler will assume the role of series editor for the Exploded Views nonfiction series. Keeler, who takes over the series editor role originated by Jason McBride, is the founding editor of Little Brother, an award-winning literary magazine, and is formerly the books editor of Canada's National Post.
Reviewing Christian Bök's The Xenotext: Book 1 for American Scientist, Michael Leong calls the book 'at once rigorously scientific and rigorously literary.' He goes on to write that 'Bök's work is an important bridge not only between conservative formalists and cutting-edge conceptualists but between poetic and scientific communities.
We gratefully acknowledge the financial support of the Canada Council of the Arts, the Government of Canada through the Canada Book Fund, the Ontario Arts Council and the Ontario Media Development Corporation for our publishing activities.