It sure beats working for a living. No, but I've had a lot less fun in jobs. There is great material every day. The characters are riveting to write about. I think you said it was the best political reporting gig in the country right now, and I think I agree with you about that. But as a citizen, I find it frustrating and depressing sometimes, when the clown show takes over.
Sean Dixon spoke to Open Book Toronto about his novel, The Many Revenges of Kip Flynn, on July 13, 2011. The conversation covered everything from the amorphous city of Toronto, the importance of the right table and, of course, revenge.
Amy Lavender Harris at Open Book Toronto has long been interested in the mythology of Toronto: writers who create myth out of the city. Most recently, she's written about Toronto myth-making in literature and how it relates to Sean Dixon's new novel, The Many Revenges of Kip Flynn:
We’re delighted to announce that Howard Akler and the editors of The Ward (John Lorinc, Michael McClelland, Ellen Scheinberg and Tatum Taylor) are responsible for two of the five books shortlisted for the 42nd annual Toronto Book Awards!
In the midst of Canadian rock icons The Tragically Hip’s final Canadian tour, poet and co-curator of the Basement RevueDamian Rogers spoke to Maclean's about frontman Gord Downie’s relationship to poetry – more specifically, why poets love him.
We're excited to announce that Emily M. Keeler will assume the role of series editor for the Exploded Views nonfiction series. Keeler, who takes over the series editor role originated by Jason McBride, is the founding editor of Little Brother, an award-winning literary magazine, and is formerly the books editor of Canada's National Post.
Reviewing Christian Bök's The Xenotext: Book 1 for American Scientist, Michael Leong calls the book 'at once rigorously scientific and rigorously literary.' He goes on to write that 'Bök's work is an important bridge not only between conservative formalists and cutting-edge conceptualists but between poetic and scientific communities.
We gratefully acknowledge the financial support of the Canada Council of the Arts, the Government of Canada through the Canada Book Fund, the Ontario Arts Council and the Ontario Media Development Corporation for our publishing activities.