Over the past little while, Torontoist has been quietly absorbed in The Alphabet Game: A bpNichol Reader. Edited by Darren Wershler-Henry and Lori Emerson, The Alphabet Game is an essential anthology for any reader of bpNichol, and is a great starting point for those who have yet to discover his work.
Nichol, who is probably most well-known for his concrete and visual poetry, had achieved many things before dying at the age of 44.
The late Paul Haines’ Secret Carnvial Workers was launched at the end of last month, the occasion marked with a concert by his daughter, Emily (his other daughter is television journalist Avery Haines). Torontoist has been mulling over the book, comprised of poetry, fiction, jazz journalism and album liner notes, since then.
The immediate instinct when reading Human Resources is to see the poems as rants against the pervading office mentality of faster-harder-cheaper. Toronto poet Rachel Zolf shows adept skill at parroting corporate language in order to highlight the flawed cogs of internal memos and style guides.
Angela Rawlings' Wide Slumber for Lepidopterists just keeps popping up on 'Best Of' lists, this time appearing on Torontoist's Best Books of 2006 list, alongside books like Michael Redhill's Consolation and DC Comics' Y: The Last Man:
'A stunningly beautiful first book of poetry that graced The Globe and Mail's 100 Best Books of 2006, WSFL migrated from page to stage with performances across TO in 06.
Tanya Chapman, author of the new Coach House novel King, was recently interviewed by Torontoist. You can read the interview in it's natural habitat at www.torontoist.com, or read the reprinted text below.
Torontoist Reads: King by Tanya Chapman
Toronto writer Tanya Chapman’s debut novel, King, was recently released by Coach House Books.
Since our founding in 1965, Coach House has been committed to printing and publishing innovative poetry of the highest quality. With that mandate in mind, we want to make sure we're doing all that we can to share our poets' work with you!
We gratefully acknowledge the financial support of the Canada Council of the Arts, the Government of Canada through the Canada Book Fund, the Ontario Arts Council and the Ontario Media Development Corporation for our publishing activities.