The Dominion raves about The Certainty Dream

By Shane Patrick Murphy
The Dominion
December 28 2009

I’m normally skeptical of a book of poetry containing multiple references to contemporary metaphysicists and epistemologists. Academic poets can be such stiff writers, getting stuck in a search for canonical purpose and intellectual weight. Their poems get 'workshopped' until they are systematically drained of all their energy and inspiration.

This is not the case with Kate Hall, whose finished poetry sounds much more like Wallace Stevens than GWF Hegel. Some lines from the last poem capture the feel of this book as a whole:

this became the dream his dream in which I did not allow him to speak
and the dream in which I imagined him speechless before me

In Hall’s dreams, Thomas Aquinas is a self-help author. Hume is a tour-guide for bird watchers. Descartes is going to a Halloween party. Elephants and disembodied voices arrive in the mail.

The Certainty Dream weaves its way through absurdist outbursts and giddy indulgences of graduate-level philosophy while remaining rooted in the immediacy and, yes, the certainty of everyday life.

While Hall had me reaching out to Wikipedia to decode some of her academic name-dropping (I still don’t know if she means David Sosa, Ernest Sosa or maybe Sammy Sosa), but she provides enough context and imagery to avoid turning her book into an academic in-joke.

Hall seems to be working in the same emerging style as her editor, Toronto poetry guru Kevin Connolly, whose Revolver was a Griffin Poetry Prize nominee last year. Like Connolly, Hall’s poems unfold with wit, colourful layers and no overwhelming sense of ego or pomp.

—Shane Patrick Murphy

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