February 27, 2013 — In a review for The New York Times (!), Dwight Garner says ‘The Lease cuts into its primary subjects — grease, technology, physical labor, alienated sex, mud, fear, profound loneliness — like a welder’s oxyacetylene flame. [...] I've read more adept books of poetry than The Lease in the past six months, with more self-conscious chaos and precision wordplay. But I've read none that I was more eager to run through again in my mind.’