a ship is in the harbour
I can see the lights on all that is just
another world
a piano player
improvises intervals and cycles
to outline
a story
in one time
or another
I eat
a Mozartkugel
*
round
is the chocolate ball
nougat the plastic layer
green marzipan
the core
*
the reel
rewinds
the biplane pieces gather
and rise out and up
from the reassembling barn
the long white scarf
defies aerodynamics
the lion leaps hind first
through the burning hoop
the projection surface is unbound from purpose
until the tender scene
plays
and we remain
coincidental
our features
cast in bleak flickers
and we examine
in common solitude
the momentary images of ungraceful love
the close-up and pull out
the disengagement of embrace
eyes opening
to hypnotic moonlight
mouths pulling in tongues
then closing
shadows crossing brows
the abrupt clumsiness of lovers
in an oddball attempt
to put each other's clothes
back on
to do that last button
to straighten a tuft of hair
to push each other away
to retreat from the room
through separate doors
*
knowing what they say
we can now discuss
the jalapeno in the barbecue sauce
that smokes over L.A.
or I can describe a laker
about to accept a tug
about to drop freight
at the dock in my solitude
while Monk
plays Ellington
in another time
and the past as reference
gains common meaning
in what they say
*
we must know
what we mean
when we speak
for the record
so we may replay later
the original
*
there is a beginning
to all things
study
upon study
proves
that we are the continuing meter
counting the measure
in a world that allows
sunsets to be erased
that allows the night
to be replaced
by great stadia light
that allows us to catch sight
of arcing spit
and that heroic
out-to-the-horizon gaze
of the manager in the dugout
*
I am nothing but a hound dog
my nose to the ground
sniffing out
what is best
for me
a deceitful scoundrel
prying loose
the easy coins
a simple matter of mint
the mock arrest of time
the handy proof of value
the confident twirl
the forefinger glide
the resounding skid of the coin
now dead under the slap of a palm
on the other side of the waxed wood counter
the muted finale of an exchange
ending the magic moment of buying a drink
*
we might think of this jazz
as a country muzac
for the cowboy ears of sophistication
internal thunder
with a will of its own
sets the tremor in me
that shakes the landed
and is heard by those at sea
*
once
out of the bar
the late downtown scene
leans like a rude cardboard model
you step into the alley
and someone gives you some sticks
you hear a horn playing
the end of a love affair
you stagger
down to the docks
*
how do you know
that bump you feel under the wheel
is just a flaw in the road
how do you know
if what I say is due payment
for the information you provide
how do you know
when you forget
and I remember
*
betrayal
in the one
last look
it
glares from the dark knowledge
in the alcove of the nightclub door
in the eyes of the dead
oh friend
what in life
do you know more
than the final curtain
now drawing
in time to end
this divine score
*
I am dead in your look
and alive in times to come
I stand solo
and feel the accusing finger
I am ready to dance
to be undone
by the bullet rhythm
that glances the starlit dust
on lonely street
stretching underfoot
the heartbreak
steady
in the palm
on the drum
*
a ship is in the harbour
I can see the lights on all that is just
another world
intervals and cycles
outline
a story
in one time
or another
a sharp repeat
might be the echo of gunfire
too late to report